You’re dining in a restaurant when suddenly a lesbian couple and their two children, dining nearby, are accosted by a homophobic server. “These children need a father,” she says. “You’re making everyone else here uncomfortable.” Other customers chime-in in agreement, while still others leap to the defense of the family. Some of these people are actors, the rest, including you, are unwittingly participating in an invisible theater performance.[1]
Invisible theater is theater that seeks never to be recognized as theater, performed in a public place. The goal is to make the intervention as realistic as possible so that it provokes spontaneous responses. The scene must be loud enough to be heard and noticed by people, but not so loud or conspicuous that it appears staged. Bystanders can and will engage with the scene as if it were real life, because for them it is real life. Invisible theater can thus achieve things that most other theater cannot, removing barriers between performer and spectator and creating very accessible conflictual situations in which people can rethink their assumptions and engage with sensitive issues they might otherwise avoid.
Invisible theater is one of Augusto Boal’s Theater of the Oppressed techniques, and has been used around the world in many different settings. In New York City in 2003, actors posing as tourists made loud comments about the potential terrorist threat posed by two Muslim women in hijab (also actors) who were taking photos of the Empire State Building. This scene sparked important dialogue about racial profiling and the “War on Terror.” In other instances, actors posing as customers in restaurants and grocery stores have claimed not to be able to afford their bill, sparking a dialogue with the cashier and nearby customers (some of them also actors) about questions of economic justice.
Invisible theater requires a significant amount of preparation and rehearsal. The form requires actors to remain in character even when the action goes in unexpected and challenging directions. In its pure form, invisible theater never lets on that it is theater. Unlike other stealth theater forms like guerrilla theater, Yes Men-style hoaxes or Improv Everywhere pranks, there is never “a reveal.” People who encounter an invisible theater performance should experience it as reality and forever after think it was real.
- [1] This scenario was played out on the ABC News Show What Would You Do? that uses a version of invisible theater to generate discussion. While the show breaks the usual rules of invisible theater by surreptitiously filming the scene and eventually telling those present that the scene is not real, it is nevertheless a good introduction to the power and possibility of invisible theater. ↩